Portfolio WEEK8 Kiera Coward Deyell

Kiera Coward Deyell is an imaginative specialist conceived and situated in London.
Their work traverses Sound Plan, Sound Designing and different types of
creation. Looking for contextualisation through the networks she is in support of, she
addresses the strains of being seen/concealed in an always extractive world.
Sound plan work incorporates ‘Specific Strategy’ by Onyeka Igwe and
‘statements on soil and honey’ by Emilia Beatriz.
They are an individual from Dark Obsidian Sound Framework, where they have been
specialized carry on with all through the aggregate’s existence, and have customized and
performed at numerous occasions and drove specialized studios the aggregate has
done. She is likewise a team individual from Tanum Sound Framework.

There is no much correlation between her work and mine but I do like her electronic music with its optimistic, passion and quick vibe. Later the day I was listen to the review broadcast “Fact Liverpool” which she has take a major part in. This episode is a conversation between DJ, Curator and Producer TYGAPAW and B.O.S.S. member, writer and filmmaker Deborah Findlater. Inspired by this, Music is the most powerful tool as one of the art forms. It can actually affect changes. The noise can flow.

B.O.S.S have created an immersive environment: an expansion of their short film, Collective Hum (2019). The installation reflects and describes ways in which marginalised groups have developed methods of assembling against a background of repression and discrimination in the UK. The collective position sound system culture as a space of communal strength and encounter, where kinship is formed and reciprocated. The audio-visual installation envelops the viewer, resonating through the body, creating a club-like space of collective pleasure and healing.

https://shows.acast.com/6296235dc7e20d0012a05776/6296236a1453950013dde610